Functional Wood-Fired Pottery

Each pot unique in shape, material and kiln placement. The process of clay being exposed to wood fire, imprints the flame’s journey, onto the surface. Each batch reflects the location I am working in, as I travel nation wide to extract material, process and fire.

2025 batch:

Bundjalung Country, commercial clay, fired in the inaugural firing of the ‘Sofiagama’ built by Gyan Daniel Wall. Camphor Laurel wood used for glaze and fuel, found in over abundance to the area.

2025 batch: Keanes No.7 clay, Camphor ash as raw glaze liner, reduction cooled in Sofiagama

2025 batch: Keanes No.7 clay, shino as raw glaze liner, reduction cooled in Sofiagama

2025 batch: Keanes No.7 clay, shino as raw glaze liner, reduction cooled in Sofiagama

2025 batch: Keanes No.7 clay, Camphor ash as raw glaze liner, reduction cooled in Sofiagama

2024 batch:

Gundungurra, Darug Country, commercial clay materials with integrations of locally dug clay on Dharawal country. Work was fired in ‘Wombat’ barrel kiln using flood damaged Pine and local hardwood branches.

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